facebook: genc1seyyah<\/a><\/p>\n
Yaz\u0131: S\u00fcleyman Erdem<\/p>\n
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D\u00fcnya\u2019y\u0131 kar\u0131\u015f kar\u0131\u015f gezerken fark\u0131na vard\u0131\u011f\u0131m, g\u00f6zlemledi\u011fim ve anlamaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m k\u00fclt\u00fcrler aras\u0131ndaki uyum, -akla ilk geldi\u011finde her ne kadar z\u0131tl\u0131\u011f\u0131 \u00e7a\u011fr\u0131\u015ft\u0131rsa da- adeta muazzam bir g\u00f6kku\u015fa\u011f\u0131n\u0131n can al\u0131c\u0131 renkleri gibiydi. Elinde bavuluyla k\u00f6\u015fe ba\u015flar\u0131nda foto\u011fraf \u00e7ekinen bir turistten ziyade, s\u0131rt \u00e7antas\u0131yla \u015fehrin arka sokaklar\u0131na ve mahallelerine saklanm\u0131\u015f gizli k\u00fclt\u00fcr\u00fcn pe\u015finden giderken kaybolan bir gezgine d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcmden beri, t\u00fcm d\u00fcnya k\u00fclt\u00fcrlerinin asl\u0131nda \u00e7ok sesli bir m\u00fczik eserinin birer notas\u0131 oldu\u011funun fark\u0131na vard\u0131m. Gezerken ke\u015ffetti\u011fim her yeni notan\u0131n di\u011ferleriyle i\u00e7inde bulundu\u011fu uyumu duymak i\u00e7in m\u00fczik kula\u011f\u0131na gerek yoktu sevgili okur. Ki\u015fisel hayatlar\u0131m\u0131zda pe\u015fine d\u00fc\u015ft\u00fc\u011f\u00fcm\u00fcz baz\u0131 materyalist h\u0131rslar\u0131 bir kenara koyabildi\u011fimiz s\u00fcrece bu e\u015fsiz m\u00fczi\u011fe kulak verebiliriz ancak.<\/p>\n
D\u00fcnya\u2019n\u0131n neresine giderseniz gidin, bir \u00e7ocu\u011fun g\u00fcl\u00fcmsemesi nas\u0131l de\u011fi\u015fmiyorsa, t\u00fcm z\u0131tl\u0131klar\u0131 bar\u0131nd\u0131ran k\u00fclt\u00fcrlerin bile de\u011fi\u015fmeyen baz\u0131 de\u011ferlere sahip oldu\u011funu fark edeceksiniz. Tayland\u2019da kalacak yerim olmad\u0131\u011f\u0131 i\u00e7in 1 saat \u00f6ncesinde u\u00e7akta tan\u0131\u015fmam\u0131za ra\u011fmen bana evini a\u00e7an Abu Sansabeen ve arkada\u015flar\u0131n\u0131n, Uruguay\u2019da otob\u00fcs dura\u011f\u0131nda tan\u0131\u015ft\u0131\u011f\u0131mda son yeme\u011fini benimle payla\u015fan Yahudi dostum Alejandro\u2019nun, Fas\u2019ta ertesi sabah i\u015fe gitmek zorunda olmas\u0131na ra\u011fmen gecenin bir yar\u0131s\u0131 benimle ilgilenen Adyl\u2019in sahip olduklar\u0131 din, dil, \u0131rk ve k\u00fclt\u00fcr farkl\u0131l\u0131\u011f\u0131, benimle kurduklar\u0131 o tatl\u0131 ba\u011fa engel olamam\u0131\u015ft\u0131. \u0130\u015fte kar\u015f\u0131l\u0131ks\u0131z verilen bu sevgi sayesinde ula\u015fabiliyor insan o g\u00f6kku\u015fa\u011f\u0131na.<\/p>\n
Yery\u00fcz\u00fcnde ke\u015ffedecek 7 milyar insan ve on binlerce k\u00fclt\u00fcr varken, hayat\u0131 ev-i\u015f aras\u0131ndan ibaret robotlara d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcnden bu yana \u00e7ok \u015fey ka\u00e7\u0131rd\u0131 insano\u011flu. Teknolojinin getirdi\u011fi ekrandan yap\u0131lm\u0131\u015f \u201cson versiyon\u201d parmakl\u0131klar ard\u0131nda, toplum taraf\u0131ndan onaylanmak i\u00e7in harcanan bir gen\u00e7lik ve i\u015f i\u015ften ge\u00e7tikten sonra doyas\u0131ya ya\u015fanamayan bir ya\u015fl\u0131l\u0131k. \u00c7\u00f6z\u00fcm basit asl\u0131nda. 1960\u2019l\u0131 y\u0131llarda \u201cBeat Ku\u015fa\u011f\u0131\u201d duayenlerinden olan ve ayn\u0131 zamanda The Doors grubunun vokali Jim Morrison\u2019\u0131n \u015fu s\u00f6zlerini hi\u00e7bir zaman unutmam: \u201cD\u00fcnya\u2019y\u0131 istiyoruz ve hemen \u015fimdi istiyoruz!\u201d. Zihindeki \u00f6zg\u00fcrl\u00fck, ke\u015fif ve merak gibi kavramlar\u0131n temelini bir par\u00e7a, 60\u2019lar\u0131n California\u2019s\u0131ndan g\u00fcn\u00fcm\u00fcze uzanan bu distopya kar\u015f\u0131t\u0131 d\u00fc\u015f\u00fcnce olu\u015fturuyor esasen. Felsefi a\u00e7\u0131dan \u00f6z\u00fcn\u00fc varolu\u015f\u00e7uluktan alan bu ak\u0131m\u0131 daha detayl\u0131 incelemek isteyen okurlar\u0131ma The Doors, Bob Dylan, The Rolling Stones, The Beatles, Pink Floyd gibi gruplar\u0131n \u015fark\u0131 s\u00f6zlerini okumalar\u0131n\u0131 tavsiye ederim.<\/p>\n
Gezmek ve m\u00fczik birbirinden ne denli z\u0131t g\u00f6r\u00fcnen iki alan olsalar da az \u00f6nce anlatt\u0131klar\u0131m sayesinde, asl\u0131nda ne kadar da s\u0131k\u0131 s\u0131k\u0131ya ba\u011fl\u0131 olduklar\u0131n\u0131 g\u00f6rmek zor de\u011fil sevgili okur. Bu da kendi i\u00e7erisinde harika bir \u201cuyum\u201d de\u011fil mi?<\/p>\n
K\u00fc\u00e7\u00fck bir \u00e7ocu\u011fun kom\u015fu evin arka bah\u00e7esini ke\u015ffederken hissetti\u011fi o garip d\u00fcrt\u00fc tad\u0131nda olmal\u0131 hayat. Yoldan ve yolun bize sunduklar\u0131ndan vazge\u00e7memeli, onun pe\u015finden giderken asl\u0131nda buldu\u011fumuz \u015feylerin bizi biz yapan \u015feyler oldu\u011funun ay\u0131rd\u0131na varmal\u0131y\u0131z. Ya\u015fam tercihlerimiz sayesinde \u00f6m\u00fcr sandal\u0131na kocaman an\u0131lar biriktirebilen biz gezginler, ke\u015ffetmenin verdi\u011fi hazdan beslenen varl\u0131klar\u0131z. Ya\u015fam tercihleri diyorum; \u00e7\u00fcnk\u00fc toplumun en temel yap\u0131ta\u015f\u0131 bireyler olarak kendi kararlar\u0131m\u0131z sonucu \u015fekillendiriyoruz ya\u015famlar\u0131m\u0131z\u0131. Sistemin dayatt\u0131\u011f\u0131 kal\u0131pla\u015fm\u0131\u015f d\u00fc\u015f\u00fcnceler d\u00f6ng\u00fcs\u00fcne kap\u0131ld\u0131\u011f\u0131m\u0131z m\u00fcddet\u00e7e her g\u00fcn i\u015fe mutsuz giden, i\u00e7 huzurunu kaybetmi\u015f, aile b\u00fct\u00fcnl\u00fc\u011f\u00fc olmayan ve sahte tebess\u00fcmler ard\u0131nda \u00e7\u00fcr\u00fcy\u00fcp giden ruhlara d\u00f6n\u00fc\u015f\u00fcyor bireyler. Bu noktada kendimize \u015funu sormal\u0131y\u0131z: Hayatta ne kadar \u015feyi kendi r\u0131zam\u0131zla ve tamamen i\u00e7imize sinerek yapt\u0131k?.. Bu ve buna benzer sorular\u0131 kendime sormaya ba\u015flad\u0131\u011f\u0131mdan bu yana beni kodlayan temel \u015feylerin fark\u0131na vard\u0131m. Beton y\u0131\u011f\u0131nlar\u0131 ve g\u00f6kdelenler aras\u0131nda hayat\u0131n\u0131 daha \u00e7ok t\u00fcketmeye ve g\u00f6steri\u015fe harcayan baz\u0131 insanlar\u0131n s\u00f6z\u00fcm ona tatile giderken kulland\u0131\u011f\u0131 tabirle \u201cdo\u011faya ka\u00e7\u0131\u015f\u201d yerine \u201cdo\u011faya d\u00f6n\u00fc\u015f\u201d idi benim temam. Bu lezzette ilerledik\u00e7e sevmedi\u011fim k\u0131\u015f mevsiminden, alt\u0131nda \u0131sland\u0131\u011f\u0131m ya\u011fmurdan, rengini g\u00f6rmezden geldi\u011fim bir a\u011fa\u00e7 yapra\u011f\u0131ndan ya da i\u00e7ime \u00e7ekebildi\u011fim dolu dolu bir nefesten k\u0131sacas\u0131 do\u011fan\u0131n insano\u011fluna sundu\u011fu say\u0131s\u0131z mucizeden zevk almaya ba\u015flad\u0131m. \u0130\u015fte bu noktada toplumun daha \u00e7ok e\u015fya almak \u00fczerine kurulu mutluluk maskesini s\u00f6k\u00fcp att\u0131m kendi y\u00fcz\u00fcmden. Bu bir fark\u0131ndal\u0131k meselesi sevgili okur. Ger\u00e7ek \u00f6ze d\u00f6n\u00fc\u015f ve i\u00e7sel mutluluk yakalayabildi\u011fimiz bu ve buna benzer anlar\u0131n k\u0131ymetini bilmeliyiz. Yaz\u0131m\u0131 bir K\u0131z\u0131lderili Atas\u00f6z\u00fc ile noktal\u0131yorum: \u201cSon \u0131rmak kurudu\u011funda, son a\u011fa\u00e7 yok oldu\u011funda, son bal\u0131k \u00f6ld\u00fc\u011f\u00fcnde; beyaz adam paran\u0131n yenmeyen bir \u015fey oldu\u011funu anlayacak.\u201d<\/p>\n
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